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  • Shaun @ Scritti Copy

What's on Paul Weller's Jukebox?

*UPDATED AND COMPLETE!*


What my favourite musicians listen to has always fascinated me. It’s a bit like researching a family tree; looking for connections, unearthing new information. You might hear great new music or get a fresh angle on music you already knew.


I love Paul Weller’s music to the point of writing a book about The Jam, so when I found out he had a jukebox in the control room of his Surrey recording studio I naturally wanted to know everything that was on there.


Thanks to squinting at a couple of Instagram pictures by his wife Hannah, bassist Andy Crofts, and a mate who was in there doing some recording, I’ve finally got the lot.


Being an obsessive vinyl collector and DJ (available for bookings by the way), I also wanted to know what issues they were. Original or reissue? UK or US pressing? For the sheer joy of completism, I also looked up the UK chart position.


What’s not on here is just as surprising as what is: there’s no Small Faces, Traffic or Who; there’s no ‘60s Tamla Motown or Otis Redding. On the other hand there are three Manfred Mann 45s, Acker Bilk and two copies of the same Dusty Springfield single.


Here’s what I’ve got on what Weller’s got:


Manfred Mann – Pretty Flamingo / You’re Standing By (HMV POP-1523, 1966, #1)

A1 on the jukebox is Manfred Mann’s chart-topping single from spring 1966, and the first of three Mann singles here. Weller covered the song for a 2008 radio session (available on his At the BBC collection).


Another place Manfred has popped up in Weller’s discography is the sleeve of The Style Council's Our Favourite Shop, where his soundtrack LP for the 1967 film Up the Junction can be seen on the counter.


Roy Orbison – Oh, Pretty Woman / Yo Te Amo Maria (London Monument, HL-U.9919, 1964, #1)

The first of two Orbison 45s is probably his most well-known song, and another ‘60s chart-topper.


Ben E. King – Supernatural Thing (Part 1) (Stereo) / Supernatural Thing (Part 2) (Mono) (US, issue Atlantic 45-3241, 1975, N/A)

Like a lot of ‘60s soul singers, King sprouted sideburns and big collars during the ‘70s. This laid-back funk two-parter missed the UK charts but was a top ten hit in the US.


This copy, which has mono and stereo mixes of Part 1 on either side, is a US promo.


Stone Poneys feat. Linda Ronstadt – Different Drum / Linda Ronstadt: Long Long Time (US reissue, Capitol 6185, 1970s, N/A)

‘Different Drum’ was written by Mike Nesmith from The Monkees and originally released in 1967. Soul singer and Small Faces collaborator PP Arnold released a cover of it in 1998, backed by Ocean Colour Scene and Weller mainstay Steve Cradock.


This is an American reissue from the 1970s as part of the Capitol Starline series.


Rod Stewart – You Wear it Well / Los Paraguayos (Mercury, 6052 171, 1972, #1)

Weller’s love of the Small Faces is well-documented, but for Rod the Mod turn up on his jukebox is less expected. This 1972 number one was the UK follow-up to 1971’s similarly chart-topping (and similar sounding) ‘Maggie May’. Faces fan note Ronnie Wood and Ian MacLagan are present in the backing band.


Bill Withers – Use Me / Let Me in Your Life (A&M, AMS 7038, 1972, didn’t chart)

Weller has picked Withers’ 1971 album track ‘Harlem’ on a couple of radio shows, but this is the first of a brace of Bill 45s that show up here.


The Zombies – Time of the Season / Friends of Mine (Unknown, 1968)

Over the past decade, Weller has constantly referred to The Zombies 1968 LP Odessey and Oracle as one of his favourite albums – if not his all-time favourite. It contains one of their best known songs, ‘Time of the Season’, which missed the UK charts but became a surprise hit in America the following year.


This copy has a different B-side to the UK edition and could be a US or European issue.


The Action – Shadows and Reflections / Something Has Hit Me (Parlophone, R 5610, 1967, didn’t chart)


Potentially the rarest record on the jukebox is this George Martin-produced 45 from 1967. Weller named it as his favourite Action song when he wrote the sleeve notes for a 1980 compilation of the band.


If he didn’t fancy pushing the middle out of an original copy (which is currently worth around £100), Weller may have used a 1982 reissue on the Edsel label.


Manfred Mann – Oh No, Not My Baby / What Am I Doing Wrong? (HMV, POP 1413, 1965, #11)

This 1965 single was written by Gerry Goffin and Carole King. Like a number of UK beat group hits of the time (‘Go Now’, ‘I’m Into Something Good’ etc.) it was first recorded by an American R&B artist – in this case Maxine Brown.


Donovan & The Jeff Beck Group – Barabajagal (Love is Hot) / Trudi (Pye, 7N 17778, 1969, #12)

This is the second, slightly more common issue of Donovan’s 1969 groover; the first issue listed the titles as ‘Goo Goo Barabajagal’ and ‘Bed with Me’.


Simon Dupree & The Big Sound – Kites / Like the Sun Like the Fire (Parlophone, R 5646, 1967, #9)

A beautiful piece of Oriental-influenced psych-pop from late 1967. Fun fact: No one in the band was called Simon Dupree.



Badfinger – Come and Get It / Rock of All Ages (Apple, APPLE 20, 1969, #4)

Weller hero Paul McCartney wrote the A-side of Badfinger’s first hit single, which was released at the tail end of 1969 and charted in January 1970.


The Impressions – Check Out Your Mind / Can’t You See? (Buddah, 2011 030, 1970, didn’t chart)

The work of Curtis Mayfield has been a passion of Weller’s since the early ‘80s; his ‘Move On Up’ is the one song that Weller has played with The Jam, Style Council and solo. His jukebox includes one of Mayfield’s final singles with The Impressions.


The Merseys – Sorrow / Some Other Day (Fontana, TF 694, 1966, #4)

Cited by Weller for its brass break, ‘Sorrow’ is a key piece of mid-‘60s pop and was a top ten hit in summer 1966. The song was originally recorded with a more melancholy air by The McCoys in 1965 and was later covered by David Bowie for his Pinups album.


Steve Miller Band – Fly Like an Eagle / Jungle Love (US reissue, Collectables, COL 6354, date unknown, N/A)

A far less obvious choice: ‘Fly Like an Eagle’ is a slick piece of psych-funk from 1976, whilst ‘Jungle Love’ is equally slick ‘70s FM rock. This is a made-for-jukebox reissue from the late ‘70s or early ‘80s.


Cream – I Feel Free / N.S.U (Reaction, 591011, 1966, #4)

We return to the ‘60s with the second, highest-charting single from Cream.


Donovan – Jennifer Juniper / Poor Cow (Pye, 7N 17457, 1968, #5)


Another Donovan 45. B-side ‘Poor Cow’ was the theme tune to the kitchen-sink film of the same name.


The Tams – Hey Girl, Don’t Bother Me / Be Young, Be Foolish, Be Happy (UK reissue, ABC, ABC 4020, 1970s)


‘Hey Girl, Don’t Bother Me’ was originally recorded in 1964, but became a UK number one during the summer of 1971, right around the time a young Suedehead Weller would have been dancing to it at Woking Football Club dances.


The copy on his jukebox has their other classic single ‘Be Young, Be Foolish, Be Happy’ on the flipside, meaning that it’s either an ABC label reissue from later in the 1970s or an Old Gold reissue from 1982.



Glen Campbell – Galveston / How Come Every Time I Itch I Wind Up Scratchin’ You? (Ember, EMB S 263, 1969, #14)


More surprises with a diversion into countrified pop. ‘Galveston’ was written by legendary songwriter Jimmy Webb. The follow-up to another Webb tune, ‘Wichita Lineman’, ‘Galveston’ made the UK top twenty in May 1969.


White Plains – When You Are a King / The World Gets Better with Love (Deram, DM 333, 1971, #13)

White Plains were one of a breed of late ‘60s/early ‘70s pop groups (see also Vanity Fare) who lacked something that certain something that preceding acts like Love Affair, Amen Corner and The Herd had. Nevertheless, Weller is evidently a fan of this 1971 single.



Stealers Wheel – Stuck in the Middle / Jose (A&M, AMS 7036, 1973, #8)

A staple of pub cover bands everywhere and featured on the Reservoir Dogs soundtrack.


Rick Nelson & The Stone Canyon Band – Garden Party / She Belongs to Me (MCA, MCA 329, 1972, #41)

This is a somewhat bizarre record. A minor 1970s hit for former teen heartthrob Ricky Nelson, ‘Garden Party’ is a slow country-pop song with lyrics referencing ‘60s and early ‘70s pop culture icons. The B-side, a 1967 cover of the Dylan classic, is far better.


Tom Jones – It’s Not Unusual / What’s New, Pussycat? (US reissue, Collectables, COL 04296, date unknown)

Not particularly Mod, but very ‘60s. This is another made-for-jukebox single with two of Tom’s biggest hits back-to-back.


Free – Wishing Well / Let Me Show You (Island, WIP-6146, 1972, #7)

Weller (re)discovered Free in the early ‘90s. When he DJ’d on Kiss FM in 1992, this 1972 single was included in amongst funk, jazz and hip-hop cuts.


Dusty Springfield – I Just Don’t Know What to Do with Myself / My Colouring Book (Philips, BF 1348, 1964, #3)

Dusty Springfield – Son of a Preacher Man / The Windmills of Your Mind (US reissue, Atlantic OS 13046, date unknown, N/A)


There are two classic Dusty singles next to each other on the jukebox. The first is (for me) the definitive version of the Bacharach-David song. The second is an American reissue of one of her best known songs and a 1968 UK top ten hit.


Little Richard – Good Golly Miss Molly / All Around the World (Specialty, SON 5000, date unknown, didn’t chart)

Another reissue of another classic top ten hit (this time from 1958).


Twisted Wheel – Lucy the Castle / Bang of the Beat / Snakes & Ladders (Columbia, 88697387037, 2008, didn’t chart)

A former Weller support act. This appears on one photo, but in more recent photos it has been replaced with…


Syd Arthur – Ode to the Summer / Black Wave (Dawn Chorus Recording Company, DCRC 003, 2011, didn’t chart)

A current Weller favourite are Syd Arthur (a Pink Floyd-referencing pun on Herman Hesse’s classic spiritual novel Siddartha), a psychedelic band from Canterbury.


Geno Washington & The Ram Jam Band – Michael (The Lover) / (I Gotta) Hold on to My Love (Piccadilly, 7N 35359, 1966, #39)

A minor UK hit but a Northern Soul classic. The song and artist inspired Dexys Midnight Runners’ 1980 single. If you listen carefully at the end of The Jam Live at the Brighton Centre gig on the super deluxe edition of Setting Sons, you can hear this song come on over the PA after the band have left the stage.


Badfinger – No Matter What / Better Days (Apple, APPLE 31, 1970, #5)

The second Badfinger 45 on the jukebox is perhaps their definitive number, which hit the charts in January 1971.


Culture – Two Sevens Clash / I’m Not Ashamed (Lightning, LIG 1978, 1978, didn’t chart)

Weller is a big reggae fan so it’s no surprise there are two classic roots singles here. Both sides of this are from Culture’s Two Sevens Clash album, all of which is worth checking out if you’ve never heard it.


Big Youth – Hit the Road Jack / Version (Trojan, TR 7977, 1976, didn’t chart)

This heavy-duty rockers take on the Ray Charles standard is a Weller constant, as it often appears on any playlists and compilations he curates. “A record I remember from the late ‘70s,” he wrote in the sleeve notes for his Under the Influence compilation in 2003. “I got into [it] through hearing it around the punk clubs around ’77. It did (still does!) have that rebel / revolutionary sound about it.”


The Ovations – It’s Wonderful to Be in Love / Dance Party (US issue, Goldwax, GW-113, 1965)

A more obscure choice, as this single only seems to have been issued in the US, and was only a relatively minor hit there (#61 in the pop charts, #22 in the R&B). The A-side has a doo-wop ballad feel, whilst the B-side sounds like the kind of hip R&B joint you hear over the PA at Weller gigs.


The Beatles – Strawberry Fields Forever / Penny Lane (Parlophone, R 5570, 1967, #2)

From the depths of the Soulsville to one of the greatest singles ever made. It’s certainly the greatest number 2 of all time, Engelbert Humperdinck’s ‘Release Me’ keeping it from the top spot.


Weller has always spoken of ‘Strawberry Fields Forever’ as being a pivotal record for him from the first time he heard it, particularly for the line ‘no one I think is in my tree’.


The Miracles – Love Machine (Parts 1&2) (Tamla Motown, TMG 1015, 1975, #3)

From experimental psychedelia to frenetic funk: Smokey Robinson is one of Weller’s favourite songwriters, but here’s The Miracles most famous post-Smokey number (he’d left the group in 1972). Weller’s sometime friends Wham! covered the song on their debut LP.


T. Rex – Hot Love / Woodland Rock / The King of the Mountain Cometh (Fly, BUG 6, 1971, #1)

Throughout The Jam and Style Council, Weller gave the impression that he was never arsed about early-mid ‘70s, claiming at various times to not listen to music made after 1968 or by people with long hair and beards. “Bowie and Bolan were okay, but I lost interest in them” was as much as he’d admit.


Since the ‘90s he’s been more openly into T. Rex. He’s guested on live covers of ‘Life’s a Gas’ and ‘Get it On’ and picked Electric Warrior when appearing on the What’s In My Bag? series on YouTube.


Paul McCartney – Another Day / Oh Woman, Oh Why (Apple, R 5889, 1971, #2)

Some of Weller’s more recent solo work (such as 2015’s ‘Going My Way’) has a hint of McCartney’s early solo work (McCartney and Ram). So it makes sense that McCartney’s first solo 45 is on his jukebox.

Interestingly, ‘Another Day’ was at number 2 when ‘Hot Love’ was number 1 (March 1971). Coincidence?


David Bowie – Be My Wife / Speed of Life (RCA, PB 1017, 1977, didn’t chart)

One of the musical benefits of Weller meeting his now-wife Hannah was a new appreciation for her favourite artist, David Bowie. Although he’d expressed admiration for the likes of ‘Boys Keep Swinging’ and ‘Ashes to Ashes’ at the time, in 2006 he famously described most of his work as “pish”.


Despite that, Low has always been one of his favourite albums. Its lead single ‘Sound and Vision’ appears on his jukebox (see below) as does this, its follow-up single which was a rare chart miss for the Thin White Duke.



Mr. Acker Bilk – Stranger on the Shore / Take My Lips (Columbia, 45-DB 4750, 1961, #2)

An easy listening standard, ‘Stranger on the Shore’ was theme tune to a BBC TV series of the same name. Despite only reaching number 2 on the charts, it stayed in the top 50 for over a year. It sold over a million copies, most of which can be found in charity shops all over the UK. As he has a soft spot for romantic easy listening music (Percy Faith’s ‘Theme from ‘A Summer Place’’ is also a favourite), a copy is also on Paul Weller’s jukebox.


The Monkees – Daydream Believer / Goin’ Down (RCA Victor, RCA 1645, 1967, #5)

A different kind of ‘60s classic. The amount of times I’ve heard it sung by football fans makes it hard for me to imagine what it would’ve sounded like to pop audiences in 1967.


When The Monkees made a new album in 2016, Weller contributed a song co-written with Noel Gallagher called ‘Birth of an Accidental Hipster’.


Donald Byrd – Cristo Redentor / Elijah (US issue, Blue Note, 45-1907, 1963)

Eagle-eyed obsessives will have noticed a copy of Donald Byrd’s 1963 Blue Note album A New Perspective on the wall in The Style Council’s Our Favourite Shop. Like another Weller jazz favourite, The MJQ & Swingle Singers 1967 LP Place Vendome, the album fuses jazz with scat-like singing. This 45 was only issued in America and features two tracks from A New Perspective.


In the 1970s, Byrd moved into jazz-funk. Weller covered his 1975 single ‘(Fallin’ Like) Dominoes’ (see 1994’s Live Wood).


Toots & The Maytals – 54-46 Was My Number / The Man (US issue, Shelter, 7311, 1972)

First issued in the UK on Trojan in 1970, this skinhead reggae staple somehow missed the charts. The copy on Weller’s jukebox is an American issue with a different B-side.


The Beach Boys – Cottonfields / The Nearest Faraway Place (Capitol, CL 15640, 1970, #5)

Weller adores The Beach Boys. He once claimed the first record he ever had was an MFP reissue of their Do You Wanna Dance album bought for him by his Dad when they used to go to the airport on Sunday nights to watch planes take off (you can see it next-but-one to A New Perspective on the Our Favourite Shop sleeve).


‘Cottonfields’ (taken, along with its B-side from their 1969 LP 20/20) was their first UK single of the 1970s, but also their last on Capitol Records, and their last top 10 hit until 1979’s ‘Lady Lynda’.


Chuck Berry – Let it Rock / Memphis Tennessee (Pye International, 7N.25218, 1963, #6)

Some more classic rock’n’roll, this time a double A-sided top ten hit from 1963. Malcolm McLaren’s Kings Road shop which helped give birth to the Sex Pistols was named after the first song.


Glen Campbell – Rhinestone Cowboy / Lovelight (Capitol, CL 15824, 1975, #4)

Another Jim Webb-penned Glen Campbell song but a far less expected one. Campbell hadn’t had UK hit for four years before ‘Rhinestone Cowboy’ charted in late 1975.


The Beatles – Real Love / Baby’s in Black (Live) (Apple, R6425, 1996, #4)

Talking of unexpected, if there was a Beatles single you’d least expect to find on this jukebox, this is probably second only to ‘The Beatles Movie Medley’. That’s not because ‘Real Love’ is a bad song, in fact it’s rather lovely, but it generally gets forgotten.


Like the single that preceded it, ‘Free as a Bird’; ‘Real Love’ was a 1970s solo John Lennon demo that the remaining three Beatles worked their magic with for the Anthology series.


The B-side is a live version of a track from Beatles for Sale, and one of their most underrated beat ballads.


Dave Brubeck Quartet – Take Five / Blue Rondo a la Turk (Fontana, 271168, 1961, #6)

‘Take Five’ is a cool jazz classic in the notoriously difficult time signature of 5/4. You can usually find a scratched copy in a record shop bargain bin.


Beach Boys – God Only Knows / Wouldn’t It Be Nice? (Capitol, 15459, 1966, #2)

Another Beach Boys single, this time a classic from the heart of the ‘60s. These two tracks are from Pet Sounds, still the definitive Beach Boys/Brian Wilson album.


Eddie Floyd – Things Get Better / Good Love, Bad Love (Stax, 601016, 1967, #31)

Strangely, there hasn’t been much ‘60s soul in this list so far. This Stax single – the last of Eddie Floyd’s three UK chart hits – starts to make up for that.


The Jam played an amazing live version of Floyd’s next-but-one single ‘Big Bird’, as can be heard on Dig the New Breed


Roy Orbison – It’s Over / Indian Wedding (London, HLU 9882, 1964, #1)

A ‘60s tearjerker from the Big O – and his first UK number one since 1960’s ‘Only the Lonely’.


Robert Wyatt – Free Will and Testament / The Sight of the Wind (Trade 2 Singles Club, trdsc 10, 1997, didn’t chart)

Weller met Robert Wyatt when he played guitar on this tune from Wyatt’s 1997 album Shleep (which also has a brief jazz cover of The Style Council’s ‘The Whole Point of No Return’). This has since become one song that Weller never fails to plug when he gets the chance.


For those unfamiliar, Wyatt has made a lot of great, very interesting records and this is up there with the best of them. The lyrics are something else.


Albert King – Crosscut Saw / Down Don’t Bother Me (Atlantic, 584099, 1967, didn’t chart)

‘This is the kind of music I want to make’, Weller declared in 1998 when talking about this tough, gutsy blues side which, Swiss Tony style, implies that sawing wood is very much like making love to a beautiful woman.


John Mayall – I’m Your Witchdoctor / Telephone Blues (Immediate, IM 012, 1965, didn’t chart)

Some UK blues is next up with this stone Mod classic. This is a 1965 or 1967 issue – either way it’s worth a shedload of money.


Sandie Shaw – Puppet on a String / (There’s) Always Something There to Remind Me / Long Live Love / Girl Don’t Come (UK reissue, PRT, FBEP 109, 1980, didn’t chart)

A 1980 EP from the PRT Flashbacks series which packages four of the barefooted one’s UK hits together.

Interestingly Weller recorded a demo of ‘Always Something There to Remind Me’ whilst in The Jam. They also covered ‘Long Live Love’ live in 1981. Frustratingly no audio of either has ever come to light.


Bonzo Dog Doo-Dah Band – The Equestrian Statue / The Intro and the Outro (Liberty, LBF 15040, 1967, didn’t chart)

A bizarre choice is this 1967 music hall-esque single from the band best known for their one hit, 1968s ‘I’m the Urban Spaceman’ and their appearance in The Beatles’ Magical Mystery Tour film.


The B-side, which introduces an increasingly bizarre cast of players, is worth looking up (‘and looking very relaxed, Adolf Hitler on vibes…nice!’)


Lee Dorsey – Holy Cow / Operation Heartache (Stateside, SS 552, 1966, #6)

Some New Orleans R&B from Weller favourite Lee Dorsey. Not as well-known now as the likes of ‘Give it Up’ and ‘Everything I Do Gonh Be Funky’, ‘Holy Cow’ was Dorsey’s highest-charting UK single.


The Rolling Stones – We Love You / Dandelion (Decca, F 12654, 1967, #8)

One of the less-celebrated Stones hits of the ‘60s, ‘We Love You’ was a piano-led establishment-baiting take on the Summer of Love which featured John Lennon and Paul McCartney on backing vocals.


Spencer Davis Group – Spencer Davis Group EP (Keep on Running / Somebody Help Me / Every Little Bit Hurts / I’m a Man / Gimme Some Lovin’) (Island, IEP 10, 1978, didn’t chart)

This 5-track reissue from the late ‘70s compiles five of the Brummie R&B combo’s biggest ‘60s hits (although it forgoes top twenty hit ‘When I Get Home’ in favour of their cover of Brenda Holloway’s ‘Every Little Bit Hurts’, which only made number 41) .


Singer/keyboardist Steve Winwood would go on to further success with Weller favourites Traffic. He also played piano on ‘Pink on White Walls’ from Weller’s 1995 LP, Stanley Road.


Georgie Fame – Sitting in the Park / Many Happy Returns (Columbia DB 8096, 1966, #12)

‘Sitting in the Park’ was originally recorded and released in 1965 by soul singer Billy Stewart, who had a US hit with it. Released at the tail-end of the following year, Georgie Fame’s interpretation made the UK top twenty.


Fleetwood Mac – Albatross / Jigsaw Puzzle Blues (Blue Horizon, 57-3145, 1968, #1)

An instrumental by the original, Peter Green-led Fleetwood Mac, ‘Albatross’ climbed to the top of the UK charts in early 1969. Since then it’s been ripped off by The Beatles for Abbey Road’s ‘Sun King’, derided as one of the most boring songs of all time, used for Marks & Spencer’s food adverts and found a place on Paul Weller’s jukebox.


The Platters – Twilight Time / Out of My Mind (Mercury, 7MT 214, 1958, #3)

The first of two singles here from US vocal group The Platters. ‘Twilight Time’ is a romantic ballad that was a US number one and UK number three. Coincidentally, it entered the UK charts in the week Weller was born.


The Beach Boys – I Get Around / Don’t Worry Baby (Capitol, CL 15350, 1964, #7)

The third Beach Boy single on the jukebox is one of their earlier surf numbers, which was UK hit during the summer of 1964.


Special mention has to go to the beautiful B-side, ‘Don’t Worry Baby’, which was one of surf music fanatic Keith Moon’s favourite songs.


Marsha Hunt – Walk on Gilded Splinters / Hot Rod Poppa (Track, 604 030, 1969, #46)

If any of the singles on this jukebox has hip credentials, it’s got to be this minor UK hit from May 1969 by actor Marsha Hunt. Hunt sang on The Stones’ ‘Gimme Shelter’ (and later had a child with Mick Jagger), the A-side was a cover of a Dr. John song (later covered by Weller) and the B-side was written by Marc Bolan (later sampled by Weller and Brendan Lynch for ‘Uh Huh Oh Yeh'). Finally it was released on Track Records, home to Jimi Hendrix and The Who.


Aretha Franklin – Oh No, Not My Baby / You and Me (Atlantic, 2091 044, 1970, didn’t chart)

The second version of ‘Oh No, Not My Baby’ on Weller's jukebox isn’t Rod Stewart’s cover (or Cher’s, thankfully), but Aretha Franklin’s from 1970. The single was released as a follow-up to ‘Don’t Play That Song’, which had been a UK top twenty hit. This however, failed to chart.


Both singles can be found on her excellent Spirit in the Dark album, of which Weller is a big fan.



Jimmy Reed – Shame, Shame, Shame / Big Boss Man / Bright Lights, Big City (Charly R&B, CTD 105, 1980, didn’t chart)

Fuelled by the then-current UK blues boom, ‘Shame, Shame, Shame’ was Jimmy Reed’s sole single to make the UK chart, scraping into the top fifty in 1964. The 7” on Weller’s jukebox is a 1980 reissue with different B-sides from Charly records. Charly were responsible for reissuing heaps of rock’n’roll, R&B and soul during the late ‘70s and early ‘80s (at the time, Weller particularly liked their cover art).


Weller covered the A-side live with Ronnie Wood in 2013.


Status Quo – Down the Dustpipe / Face Without a Soul (Pye, 7N 17907, 1970, #12)

If you find this choice unexpected, then maybe you don’t know that not only was Status Quo Paul Weller’s first gig, but that John Weller knew guitarist Rick Parfitt and that the young Jam would sometimes borrow the Quo’s equipment. You might also have missed Weller’s cameo in the documentary Hello Quo.


This 45 captures ver Quo mid-morph from Carnaby Street psych-popsters (as heard on the B-side) to double-denim, 12-bar rockers (the A-side).


Madness – Embarrassment / Crying Shame (Stiff, BUY 102, 1980, #4)

This is in some ways one of the most unexpected choices on the jukebox. Even though at the time Weller was a big fan of contemporaries like Madness, The Skids, The Undertones, The Ruts and more, he’s rarely shown any enthusiasm for music of that era since.


Back in late 1980, Weller named this as one of his favourite releases of that year, thanks largely to its Supremes-esque Motown swing. Just over a year later, The Jam would top the charts with their own Supremes-esque Motown swinging ‘Town Called Malice’.


Manfred Mann – Semi-Detached, Suburban Mr. James / Morning After the Party (Fontana, TF 757, 1966, #2)

The final Manfreds 45 on the jukebox is this top-drawer mid-‘60s pop number. It was kept from the number one spot by The Beach Boys’ ‘Good Vibrations’.


The Paragons – Wear You to the Ball / Version (Issue unknown, 1967)

‘60s reggae is represented on Weller’s jukebox by The Paragons, who also did the original ‘Tide is High’ (and for whom John Holt was a singer). As the B-side appears to be a dub version, this copy is a reissue rather than a UK original. The song is perhaps best known for its U-Roy version and a slick ‘90s remake by UB40.


The Beatles – Birthday / Taxman (US jukebox issue, Capitol, S7-17488, 1994, N/A)

This is the first of three Beatles 45s here that weren’t issued as singles either side of the Atlantic, but were pressed in the mid-‘90s especially for jukeboxes.


This one pairs ‘Birthday’ from 1968’s The Beatles aka The White Album (which Weller covered in 2012 to mark Paul McCartney’s 70th birthday), with Taxman from 1966’s Revolver (which The Jam famously appropriated for ‘Start!’)


Procol Harum – A Whiter Shade of Pale / Homburg (UK reissue, further details unknown)

One of the quintessential Summer of Love singles – and John Lennon’s favourite record of the time too – ‘A Whiter Shade of Pale’ was Procol Harum’s debut 45 and stayed at number one for six weeks during June and July 1967 before being displaced by The Beatles’ ‘All You Need is Love’.


This copy pairs it with its follow-up from later in 1967, ‘Homburg’, and is either a 1978 reissue on Cube Records or an Old Gold pressing from 1982.


The Beatles – Twist and Shout / There’s a Place (US jukebox issue, Capitol, S7-17699, 1994, N/A)

Although this pairing of two tracks from The Beatles’ 1963 debut LP was also issued in the US in the mid-‘80s, this is most likely to be another 1994 jukebox pressing.


The Shirelles – Will You Still Love Me Tomorrow? / Boys (Top Rank, JAR-540, 1961, #4)

‘Will You Still Love Me Tomorrow?’ has now acquired standard status and will fill most end-of-night dancefloors. In 1961, it was the first of three Shirelles 45s to make the UK charts. It’s B-side was covered by The Beatles on their first album.


Bill Withers – Lean on Me / Better off Dead (A&M, AMS 7004, 1972, #18)

The second Bill single on the jukebox is this gorgeous ballad, which somehow only just made it inside the UK top twenty (and would be Wither’s only UK hit until 1978’s ‘Lovely Day’).


The Style Council’s 1985 B-side ‘(When You) Call Me’ has definite echoes of this tune.


Dusty Springfield – I Just Don’t Know What to Do with Myself / My Colouring Book (Philips, BF 1348, 1964, #3)

Weller must really dig this song as this is the second copy on here!


The Platters – Smoke Gets in Your Eyes / No Matter What You Are (Mercury, AMT 1016, 1959, #1)

The next Platters UK release to chart after ‘Twilight Time’ (see above), ‘Smoke Gets in Your Eyes’ was the group’s first and only UK number one.


A standard that’s been recorded by everyone from Nat ‘King’ Cole to London’s Burning actor John Alford (burning, smoke, geddit?), it’s another romantic ballad that’s a favourite of Weller’s.



The Beatles – Here Comes the Sun / Octopus’s Garden (US jukebox issue, Capitol, S7-17700, 1994, N/A)

The final Beatles record on the jukebox is also the final US jukebox reissue. This one raids Abbey Road for George’s ‘Here Comes the Sun’ and Ringo’s ‘Octopus’s Garden’.


Larry Williams – Bony Maronie / You Bug Me Baby (London, HLN 8532, 1958, #11)

Some original rock’n’roll. Larry Williams was a favourite of The Beatles and John Lennon in particular, who covered this song on his Rock & Roll covers album. The Beatles also recorded a cover of his ‘Slow Down’, which The Jam also recorded for their debut album in 1977.


Bob Lind – Elusive Butterfly / Cheryl’s Going Home (Fontana, TF 670, 1966, #5)

An interesting single from US singer-songwriter Bob Lind which blends folk, strings and psychedelia-anticipating lyrics.


David Bowie – Sound and Vision / A New Career in a New Town (RCA, PB 0905, 1977, #3)

The final 45 on Paul Weller’s jukebox is his favourite Bowie tune. The first single from his masterpiece, Low, still sounds striking over forty years on.


My favourite fact about this song is that ‘doo-doo-doo’ backing vocals are by Mary ‘Those Were the Days’ Hopkin.


And there you have it. Time to dig through your record boxes. But don't worry if you'e not got all of these singles to hand - here's a Spotify playlist with them all on:





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